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Emily Plays Cello

March 23, 2016

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J.S. Bach - Cello Suite no. 3 in C major - Bourées, on baroque cello, with sheet music – emilyplayscello

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Do Our Votes Really Matter?

March 22, 2016

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By James Perloff

My friend Rachael McIntosh was an alternate delegate at the 2012 Republican Convention in Tampa, Florida, representing Ron Paul for the state of Rhode Island.

Rachael had worked for a private defense contractor for years. Awakened by the corruption and darkness she witnessed, she left the defense industry, and began working . . .

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Flags

March 22, 2016

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Commented here on Tap and plan to, on Crimes, tomorrow.

Why? Why speculate? Investigate?

Because I believe God wants me to have light in praying/witness truth and love in writing.

To do what can, must. It's an act, not a 'performance' or indeed, for appreciation – although dear reader I, appreciate, you bothering – but a . . .

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Maps

March 21, 2016

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Must reply to a reply tomorrow.

Oh,,, and a request for 'coherent English'.

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Trump a Mirror

March 20, 2016

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Donald Trump is a mirror. Beyond brain-scan level analysis, our reaction is the issue. Hidden/s only we might glimmer. To pretend we're not touched is called pride. We should make the most and use it/his presence, to speak-some. To us. About religion, gender, power, language, outsiders, insiders, money, power, sex and culture.

Although . . .

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Rosalyn on Bach

March 19, 2016

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Throughout, Tureck kept in mind the structural essence of music, telling Ampolsk: “I start by working on form. When you’re thinking about form, I feel you’re at the core of the matter, whatever your discipline may be. That’s where the center of my being always is. It is at the center of my playing. I’ve always been expressing conceptions all . . .

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One Masterpiece Coming Up...

March 18, 2016

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Gould used the Peters edition of the score (no.218) which has missing the
last 7 bars of Contrapunctus XIV, (which they and Gould erroneously call
Contrapunctus XV). There were several print editions of this work and
several early editions chose cadential points that the editors felt were
more structurally significant - such as a cadence or . . .

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